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The Weeknd’s Super Bowl Halftime Show Was The Right Kind Of Sweaty Chaos
That’s why the weirdo impulses — the whole red suit thing, the partnership with Oneohtrix Point Never, etc. — persist, but it’s also a masterclass in modern star-making. Anonymity may have been the marketing tactic du jour a decade ago, but more often than not, it’s hollow and unsustainable. What the Weeknd’s done is turn himself into a moodboard of his favorite directors, musicians, vibes. He began that process in auspicious form on House Of Balloons, and while he may have covered a ton of ground to get to where he is in 2021, the self-mythologizing is still going strong. On March 21, 2021, the tenth anniversary of the mixtape’s release, it was finally added to streaming services.
Shinedown's Brent Smith on "A Symptom of Being Human," New Music, and Olivia Rodrigo: Podcast
Trilogy received generally positive reviews from critics, who reinforced the previous acclaim of the mixtapes, although some found it indulgent. It was promoted with three singles and the Weeknd's concert tour during September to November 2012. The album charted at number five in Canada and number four in the United States. How did an X-rated lothario, whose live debut in the US (at Coachella 2012) earned mixed reviews, make his way to the biggest stages in the world? For one, he’s toned down his content considerably since his “Or Nah” remix days — the most eyebrow-raising part of his last album is an extended bit about having sex in his recording studio, and save for a couple of really gross bars, he’s steered clear of major controversy (just don’t ask stan armies). The singles have gotten poppier; his performance chops, while still not god-tier, have improved.
Trilogy (The Weeknd album)
Liturgy and Deafheaven’s radical updates on black metal put the genre in conversation with shoegaze and other “hipster” fare. It-producers of the moment AraabMuzik and Clams Casino churned out cutting-edge rap beats that owed just as much to trance and ambient music, respectively, as they did to hip-hop. What’s more impressive and surprising, to a day-one fan, is the Weeknd’s never-ceasing commitment to self-curation and aesthetic specificity.
Its title is derived from the nickname the singer gave to his former home in Parkdale, Toronto. The mixtape received widespread acclaim, with critics praising its dark aesthetic, production, and lyrical content. It is widely regarded as a major influence on both contemporary and alternative R&B. House of Balloons also contains elements of soul, trip hop, indie rock, dream pop, and electronic music. Lyrically, the mixtape explores the Weeknd's drug use and experiences with love, heartbreak, and promiscuity.
The nearly eight-minute clip is described by authors Carrie Battan and Amy Phillips of Pitchfork as, "a time traveling, Afrofuturist, science fiction battle of the sexes that demands to be watched in HD." After excitedly covering the Weeknd’s earliest music at my first-ever blog gig in Spring 2011, I vividly remember the turning point, the day in May 2015 when “Can’t Feel My Face” and “In The Night” leaked. In between Kiss Land and that leak, singles “Often” and “Earned It” had hinted at a more pop-friendly Weeknd, but not like this. Both new leaks were co-produced by superproducer Max Martin, and sounded like it.
Musically, House of Balloons mixes R&B with elements of rock, electro, and hip-hop. Maybe there is a deeper issue with that, but I feel like with me it’s never been about the artist and the image of the artist. And I felt like it was the most unbiased reaction you can get to the music, because you couldn’t put a face to it.
The guy behind that project, Tom Krell, maintained anonymity from October 2009 to April 2010, when Pitchfork sniffed him out for a Q&A. We're all about bringing fun to your parties with our cool and stylish bounce houses. We have all sorts of inflatable rentals, including our special white bounce house that really stands out at any event. It's an inflatable dome filled with tons of floating balloons – a real party hit!
The Weeknd setlist: what songs did he play in Manchester? - NationalWorld
The Weeknd setlist: what songs did he play in Manchester?.
Posted: Tue, 06 Jun 2023 07:00:00 GMT [source]
Music and themes
Additionally, the mixtape was featured on several music critics' and publications' end-of-year albums lists. Complex called it the "best album of 2011;" Stereogum ranked it number 5; The Guardian ranked it number 8; The A.V. Club ranked it number 6; SPIN ranked it (as well as Thursday) number 13; while Pitchfork ranked it number 10. As a whole, House of Balloons was the seventh most frequently mentioned album in music publications' year-end top ten lists. The mixtape was named as one of the longlisted of nominees for the 2011's Polaris Music Prize. The mixtape's title track was placed on Pitchfork's list of top 100 songs of 2011 at number 57, while "The Morning" was number 15. In 2021, it was listed at No. 488 on Rolling Stone's "Top 500 Best Songs of All Time".
Tesfaye’s path to success was unlikely, but easy to chart in increments. “The Hills” was even bigger than “Can’t Feel My Face,” 2016’s Starboy had yet another #1 with its title track, and last year’s “Blinding Lights” is one of the most successful singles of all time, recently becoming the first-ever song to spend a whole year in the Top 10 of the Hot 100. Tesfaye’s now big enough to play Super Bowls and raise a justifiable stink about a Grammys snub. No matter how smitten you were with “What You Need” the first time you heard it, there’s no way you could’ve predicted a fraction of these achievements.
Trilogy is the first compilation album and major label debut by Canadian singer-songwriter the Weeknd. It is composed of remixed and remastered versions of the songs contained in his 2011 mixtapes House of Balloons, Thursday and Echoes of Silence, and three previously unreleased songs, "Twenty Eight", "Valerie", and "Till Dawn (Here Comes the Sun)" were included as bonus tracks. House of Balloons received widespread critical acclaim, and it is considered by many to be one of the most influential R&B releases in recent years, specifically the 2010s. Preceded by a string of low-profile buzz single releases throughout 2010, the mixtape attracted significant interest due to the then-anonymous identity of the individual behind the Weeknd. At Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, House of Balloons received a weighted average score of 87 based on 16 reviews, indicating "universal acclaim".
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